I am a huge fan of Rodinal for much the same reasons as many other photographers:
- You can make up tiny batches so it lasts forever (or for long enough to not have to write a date on it
- Measuring out the amounts you need with a syringe makes you feel like a cool scientist
- It is basically an ancient formula, so using it feels especially apt when using older cameras
- All of the instructions (should be) in German, which … is fun
There are loads of blogs out there discussing the various benefits of using Rodinal in terms of things like sharpness, grain size and other photographer type things – I’d recommend this one from Ed Buffaloe if that sort of thing is important to you – but what I want to talk about here is how Rodinol represents a turning point in my journey as a photographer.
I have explained elsewhere how the decision to explore 35mm photography was primarily a result of receiving a not insignificant amount of expired 35mm film for free. It was because the film had expired that I didn’t want to invest money that I didn’t have on having it developed professionally (is that the correct term? Are the people working at fotofast professionals?), just in case it was too far gone. So, after a fair amount of ‘how to’ watching, I ordered the cheapest developing chemistry I could find, in the first instance, Kodak D-76, and some Ilford fixer. It didn’t occur to me that mixing chemistry from different manufacturers might be something some people frown upon, or that carefully weighing out D-76 powder and working out ratios to make up just the right amount to develop one film was anything but normal.
And it remained normal – making up a new bottle of developer was a chore, I’d save up films for a good while so I could use a batch before it lost all its good developing power, and I built a solid collection of brown plastic bottles from manufacturers with stern sounding names that promised to keep everything airtight but that all eventually succumbed to what I am calling ‘chemical degradation’’. Either way, it was my process, and, because it worked, it never really occurred to me to change it.
Fast forward a good number of years from when I first began my adventures in 35mm, and my understanding had progressed to the extent that I was seeking out stores that sold film, and these stores also (quite logically) also invariably sold chemistry. More importantly, by this time I felt comfortable speaking about my process to other people, particularly, people who happened to work in those stores that sold chemistry. This was really the turning point – I could answer questions about what I wanted in terms of my process, could confidently say what sort of films I was using in different circumstances, and what I was doing in terms of my photography – and this meant I could unlock all of the knowledge that I wasn’t getting when I was buying D-76 on the internet.
It was a very short hop from here to someone recommending Rodinal – when you are asking which film is cheapest its pretty obvious that recommending a developer that will last for ages and can be made up in whatever amount you like is going to get you a sale. The biggest thing about this was that it all made sense to me – a conversation that would have made absolutely no sense to me a few years before now sounded completely normal, and it really hit me how much I had learned about 35mm photography.
None of this changes whether my pictures are good or not, but it has meant that everything has become more affordable and predictable, meaning that I am happy to take a 35mm camera on holiday instead of my digital camera, and have embarked on projects that will require the development of a not insignificant amount of film – all of which I am undertaking with confidence and enthusiasm because of the power of Rodinal, and the knowledge that I had to acquire to discover it. Perhaps if I had been smarter I would have done more research when I bought that first batch of developer, but it makes me far happier to consider how far I have come, and to look forward to the discoveries of the future.
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